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Live Boots
XTC â Live at Emerald City, Cherry Hill New Jersey, 17th April 1981
For all of the narrowness of its early period âPunk Rockâ was an accommodating, if disgruntled young soul, finding room for former pub rockers, R&B revivalists, end of era glam rock types and older (usually) American fellow travellers alongside its itchyânâscratchy, DIY, frequently shambolic, monotone sleeved 7â releases. It also provided a door ajar for others to push through who may have been enamoured of punkâs fresh attitude but who, whisper it, could actually play live, like âreal musiciansâ.
A then drummer from an entertaining & commercially successful first wave punk band was overheard telling
his bandmates, with great suspicion, that Andy Partridge â with whom the band was sharing a stage that night
â knew more than three chords, something of a crime in Punk circles. Fortunately for him, this was before the arrival of Dave Gregory whose ability would have given the Punk purist a more complete meltdown. The truth remained that the self-imposed narrowness of many early Punk bands led to their demise as the record
industry looked to âNew Waveâ & later, âPost Punkâ amid other descriptions to find both a broader audience & some projected longevity â especially necessary for success in the USA. Put simply, the bands that played
best stood the best chance of survival.
This suited XTC more than most. With a pair of - already accomplished - songwriters, a stable line-up of twin
guitars/bass/drums since third album release âDrums and Wiresâ, material from 4 albums and 10 single releases from which to choose and hundreds of gigs to their name, the band established a hard-earned reputation as one of the most powerful âmust see/hearâ acts of the era, surely destined to join the elite live bands of the period.
Listening to this electric performance from April 1981 â for all of its sonic imperfections seems to confirm that status, making it even harder to accept that, within a year, XTC would play its final gigs.
Dave Gregory recalls this as âGig 11 on a 19-date U.S. tour, planned to promote the living daylights out of
our Black Sea album, this night was a return to a hot venue weâd previously visited in January 1980 as part of the gruelling Drums & Wires campaignâŠ. XTC at that time was a performing machine capable of creating megawatts of excitement.â
Andy Partridge comments that âwe were tighter than a firefly's fundament that night, even more astounding was the adrenaline-soaked speed we took every song atâ.
If this is how the band performed night after night, itâs no wonder touring took a heavy toll, but for those many fans who never got the chance to see the band live, this recording is the opportunity to experience that high-octane energy like never before.
A 200 gram double LP version of this gig was released on April 18th 2026, exclusively via Record Store Day, and now, due to popular demand, a 2CD version will be made available in mid-June 2026. This is the first of a planned series of XTC official bootleg releases titled âLive Bootsâ which draws from the bandâs archives
with minimal audio restoration undertaken by cutting engineer Jason Mitchell working with Andy Partrdige.
As Andy states in his sleevenotesâŠ.âWant to relive this gig? Get all the neighbours in, crank the stereo up VERY loud!â
For all of the narrowness of its early period âPunk Rockâ was an accommodating, if disgruntled young soul, finding room for former pub rockers, R&B revivalists, end of era glam rock types and older (usually) American fellow travellers alongside its itchyânâscratchy, DIY, frequently shambolic, monotone sleeved 7â releases. It also provided a door ajar for others to push through who may have been enamoured of punkâs fresh attitude but who, whisper it, could actually play live, like âreal musiciansâ.
A then drummer from an entertaining & commercially successful first wave punk band was overheard telling
his bandmates, with great suspicion, that Andy Partridge â with whom the band was sharing a stage that night
â knew more than three chords, something of a crime in Punk circles. Fortunately for him, this was before the arrival of Dave Gregory whose ability would have given the Punk purist a more complete meltdown. The truth remained that the self-imposed narrowness of many early Punk bands led to their demise as the record
industry looked to âNew Waveâ & later, âPost Punkâ amid other descriptions to find both a broader audience & some projected longevity â especially necessary for success in the USA. Put simply, the bands that played
best stood the best chance of survival.
This suited XTC more than most. With a pair of - already accomplished - songwriters, a stable line-up of twin
guitars/bass/drums since third album release âDrums and Wiresâ, material from 4 albums and 10 single releases from which to choose and hundreds of gigs to their name, the band established a hard-earned reputation as one of the most powerful âmust see/hearâ acts of the era, surely destined to join the elite live bands of the period.
Listening to this electric performance from April 1981 â for all of its sonic imperfections seems to confirm that status, making it even harder to accept that, within a year, XTC would play its final gigs.
Dave Gregory recalls this as âGig 11 on a 19-date U.S. tour, planned to promote the living daylights out of
our Black Sea album, this night was a return to a hot venue weâd previously visited in January 1980 as part of the gruelling Drums & Wires campaignâŠ. XTC at that time was a performing machine capable of creating megawatts of excitement.â
Andy Partridge comments that âwe were tighter than a firefly's fundament that night, even more astounding was the adrenaline-soaked speed we took every song atâ.
If this is how the band performed night after night, itâs no wonder touring took a heavy toll, but for those many fans who never got the chance to see the band live, this recording is the opportunity to experience that high-octane energy like never before.
A 200 gram double LP version of this gig was released on April 18th 2026, exclusively via Record Store Day, and now, due to popular demand, a 2CD version will be made available in mid-June 2026. This is the first of a planned series of XTC official bootleg releases titled âLive Bootsâ which draws from the bandâs archives
with minimal audio restoration undertaken by cutting engineer Jason Mitchell working with Andy Partrdige.
As Andy states in his sleevenotesâŠ.âWant to relive this gig? Get all the neighbours in, crank the stereo up VERY loud!â
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XTC â Live at Emerald City, Cherry Hill New Jersey, 17th April 1981
For all of the narrowness of its early period âPunk Rockâ was an accommodating, if disgruntled young soul, finding room for former pub rockers, R&B revivalists, end of era glam rock types and older (usually) American fellow travellers alongside its itchyânâscratchy, DIY, frequently shambolic, monotone sleeved 7â releases. It also provided a door ajar for others to push through who may have been enamoured of punkâs fresh attitude but who, whisper it, could actually play live, like âreal musiciansâ.
A then drummer from an entertaining & commercially successful first wave punk band was overheard telling
his bandmates, with great suspicion, that Andy Partridge â with whom the band was sharing a stage that night
â knew more than three chords, something of a crime in Punk circles. Fortunately for him, this was before the arrival of Dave Gregory whose ability would have given the Punk purist a more complete meltdown. The truth remained that the self-imposed narrowness of many early Punk bands led to their demise as the record
industry looked to âNew Waveâ & later, âPost Punkâ amid other descriptions to find both a broader audience & some projected longevity â especially necessary for success in the USA. Put simply, the bands that played
best stood the best chance of survival.
This suited XTC more than most. With a pair of - already accomplished - songwriters, a stable line-up of twin
guitars/bass/drums since third album release âDrums and Wiresâ, material from 4 albums and 10 single releases from which to choose and hundreds of gigs to their name, the band established a hard-earned reputation as one of the most powerful âmust see/hearâ acts of the era, surely destined to join the elite live bands of the period.
Listening to this electric performance from April 1981 â for all of its sonic imperfections seems to confirm that status, making it even harder to accept that, within a year, XTC would play its final gigs.
Dave Gregory recalls this as âGig 11 on a 19-date U.S. tour, planned to promote the living daylights out of
our Black Sea album, this night was a return to a hot venue weâd previously visited in January 1980 as part of the gruelling Drums & Wires campaignâŠ. XTC at that time was a performing machine capable of creating megawatts of excitement.â
Andy Partridge comments that âwe were tighter than a firefly's fundament that night, even more astounding was the adrenaline-soaked speed we took every song atâ.
If this is how the band performed night after night, itâs no wonder touring took a heavy toll, but for those many fans who never got the chance to see the band live, this recording is the opportunity to experience that high-octane energy like never before.
A 200 gram double LP version of this gig was released on April 18th 2026, exclusively via Record Store Day, and now, due to popular demand, a 2CD version will be made available in mid-June 2026. This is the first of a planned series of XTC official bootleg releases titled âLive Bootsâ which draws from the bandâs archives
with minimal audio restoration undertaken by cutting engineer Jason Mitchell working with Andy Partrdige.
As Andy states in his sleevenotesâŠ.âWant to relive this gig? Get all the neighbours in, crank the stereo up VERY loud!â
For all of the narrowness of its early period âPunk Rockâ was an accommodating, if disgruntled young soul, finding room for former pub rockers, R&B revivalists, end of era glam rock types and older (usually) American fellow travellers alongside its itchyânâscratchy, DIY, frequently shambolic, monotone sleeved 7â releases. It also provided a door ajar for others to push through who may have been enamoured of punkâs fresh attitude but who, whisper it, could actually play live, like âreal musiciansâ.
A then drummer from an entertaining & commercially successful first wave punk band was overheard telling
his bandmates, with great suspicion, that Andy Partridge â with whom the band was sharing a stage that night
â knew more than three chords, something of a crime in Punk circles. Fortunately for him, this was before the arrival of Dave Gregory whose ability would have given the Punk purist a more complete meltdown. The truth remained that the self-imposed narrowness of many early Punk bands led to their demise as the record
industry looked to âNew Waveâ & later, âPost Punkâ amid other descriptions to find both a broader audience & some projected longevity â especially necessary for success in the USA. Put simply, the bands that played
best stood the best chance of survival.
This suited XTC more than most. With a pair of - already accomplished - songwriters, a stable line-up of twin
guitars/bass/drums since third album release âDrums and Wiresâ, material from 4 albums and 10 single releases from which to choose and hundreds of gigs to their name, the band established a hard-earned reputation as one of the most powerful âmust see/hearâ acts of the era, surely destined to join the elite live bands of the period.
Listening to this electric performance from April 1981 â for all of its sonic imperfections seems to confirm that status, making it even harder to accept that, within a year, XTC would play its final gigs.
Dave Gregory recalls this as âGig 11 on a 19-date U.S. tour, planned to promote the living daylights out of
our Black Sea album, this night was a return to a hot venue weâd previously visited in January 1980 as part of the gruelling Drums & Wires campaignâŠ. XTC at that time was a performing machine capable of creating megawatts of excitement.â
Andy Partridge comments that âwe were tighter than a firefly's fundament that night, even more astounding was the adrenaline-soaked speed we took every song atâ.
If this is how the band performed night after night, itâs no wonder touring took a heavy toll, but for those many fans who never got the chance to see the band live, this recording is the opportunity to experience that high-octane energy like never before.
A 200 gram double LP version of this gig was released on April 18th 2026, exclusively via Record Store Day, and now, due to popular demand, a 2CD version will be made available in mid-June 2026. This is the first of a planned series of XTC official bootleg releases titled âLive Bootsâ which draws from the bandâs archives
with minimal audio restoration undertaken by cutting engineer Jason Mitchell working with Andy Partrdige.
As Andy states in his sleevenotesâŠ.âWant to relive this gig? Get all the neighbours in, crank the stereo up VERY loud!â
















